The usual suspects are all there, propping up the FROWs and posing for photographers on the way into couture shows in Paris.
Cara Develingne’s bold punk look is still a crowd pleaser, as is Kristen Stewart’s edgy but feminine crew cut.
Bella Hadid is still an absolute glamour puss in blush pink and (presumably faux) fur, Kendall Jenner is Kendall Jenner and Katy Perry… Well, who knows quite what’s going on with Katy Perry at the moment.
But there is one celebrity who is really turning heads this season, with a string of outstanding outfits and the Vogue-ing to go with it.
Hats off, then, to Celine Dion, the unlikely but deserving best dressed star of Couture week thus far.
The French-Canadian singer/songwriter wowed in a series of incredible outfits, from a classic ochre yellow midi-dress at Dior to a multi-layered ensemble of blue ruffles at Giambattista Valli.
Not only this, but Vogue magazine itself shared a saucy snap of the 49-year-old star via its Instagram page posing in nothing but her birthday suit:
Here’s a little naked fact to ponder while Celine Dion changes looks between shows: for the past five years she has worn haute couture near exclusively for her own performances (in Las Vegas and on her current “mini-tour” of Europe). She performs a minimum two hours a night, five or six nights a week, dancing and curtseying and generally gesticulating sans abandon, in handmade, hand-beaded delicacies designed solely to walk a catwalk or a carpet (and often with handlers). For Celine’s orders, the houses send teams to Nevada for typically three fittings, before the garments are ultimately finished in her local, private atelier. Armani Prive, Schiaparelli, Giambattista Valli, Versace…only a partial list. Everyone, basically. In Vegas, Velcro panels are added to allow for her ribcage to expand or for a quick outfit change. Micro straps of elasticized chiffon prevent a slit from becoming a sloppy situation mid-squat. Shoes—always heels, never platforms—are ordered one size smaller (she is normally a 38) and refitted with metal shanks. Says Celine, “We have to make haute couture industrial.” And, more enigmatically: “The clothes follow me; I do not follow the clothes.” Which is to say: the haute couture, with all its fragility and handcraft, has to perform professionally for Ms. Dion. And privately as well. Years ago, Celine bought a classic little black dress from the Christian Dior atelier when the house was overseen by John Galliano. It is simple, falling to mid calf, and narrow as can be with just a hint of stretch. It requires a minimum of jewelry, a statement bracelet or perhaps one of the major diamond rings she designed with her late husband Rene Angelil: two pear cuts set in a wide pave band, or two hearts of diamond and emerald abstractly interlocking, on a cushion of yet more diamonds. This LBD forces you to walk one foot in front of the other. This is a dress Celine knows well and clearly loves, the simplest evocation of the private luxury of couture and the total antithesis of the red carpet hoopla that attends the union of fashion and celebrity. It is also the dress she wore to Rene’s funeral. #CelineTakesCouture Photo by @sophfei.
She was later spotted hanging her leg over a Parisian balcony, presumably in a photo shoot for Vogue magazine.
Can’t wait to see the results of that, and indeed, what the legendary singer is set to wear next.